By the time this Stalinist true believer parts ways with the group at the Russian-Mongolian border and the landscape moves from the sublimity of Siberia to the merely pretty desert terrain, the film dissipates into a lengthy, debilitating trek that neither a thrilling sandstorm nor belated personal revelations that don't make the characters a jot more interesting, can do anything to elevate. The Way Back is a decent landscape picture overburdened by the demands of narrative.
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